It was all, none the less, not so bad as Fleda had feared; it was faded and melancholy, whereas there had been a danger that it would be contradictious and positive, cheerful and loud. The house was crowded with objects of which the aggregation somehow made a thinness and the futility a grace; things that told her they had been gathered as slowly and as lovingly as the golden flowers of Poynton. She too, for a home, could have lived with them: they made her fond of the old maiden-aunt; they made her even wonder if it didn't work more for happiness not to have tasted, as she herself had done, of knowledge. Without resources, without a stick, as she said, of her own, Fleda was moved, after all, to some secret surprise at the pretensions of a shipwrecked woman who could hold such an asylum cheap. The more she looked about the surer she felt of the character of the maiden-aunt, the sense of whose dim presence urged her to pacification: the maiden-aunt had been a dear; she would have adored the maiden-aunt. The poor lady had had some tender little story; she had been sensitive and ignorant and exquisite: that too was a sort of origin, a sort of atmosphere for relics and rarities, though different from the sorts most prized at Poynton. Mrs. Gereth had of course more than once said that one of the deepest mysteries of life was the way that, by certain natures, hideous objects could be loved; but it wasn't a question of love, now, for these: it was only a question of a certain practical patience. Perhaps some thought of that kind had stolen over Mrs. Gereth when, at the end of a brooding hour, she exclaimed, taking in the house with a strenuous sigh: "Well, something can be done with it!" Fleda had repeated to her more than once the indulgent fancy about the maiden-aunt—she was so sure she had deeply suffered. "I'm sure I hope she did!" was, however, all that Mrs. Gereth had replied. "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"!

"To you, of course—to enjoy, to keep for yourself." The girl hung fire a few seconds. "Derived from him."

She had moreover at present completely recovered her feet, though there was in the intensity of the effort required to do so a vibration which throbbed away into an immense allowance for the young man. How could she after all know what, in the disturbance wrought by his mother, Mona's relations with him might have become? If he had been able to keep his wits, such as they were, more about him he would probably have felt—as sharply as she felt on his behalf—that so long as those relations were not ended he had no right to say even the little he had said. He had no right to appear to wish to draw in another girl to help him to an escape. If he was in a plight he must get out of the plight himself, he must get out of it first, and anything he should have to say to any one else must be deferred and detached. She herself, at any rate—it was her own case that was in question—couldn't dream of assisting him save in the sense of their common honor. She could never be the girl to be drawn in, she could never lift her finger against Mona. There was something in her that would make it a shame to her forever to have owed her happiness to an interference. It would seem intolerably vulgar to her to have "ousted" the daughter of the Brigstocks; and merely to have abstained even wouldn't assure her that she had been straight. Nothing was really straight but to justify her little pensioned presence by her use; and now, won over as she was to heroism, she could see her use only as some high and delicate deed. She couldn't do anything at all, in short, unless she could do it with a kind of pride, and there would be nothing to be proud of in having arranged for poor Owen to get off easily. Nobody had a right to get off easily from pledges so deep, so sacred. How could Fleda doubt they had been tremendous when she knew so well what any pledge of her own would be? If Mona was so formed that she could hold such vows light, that was Mona's peculiar business. To have loved Owen apparently, and yet to have loved him only so much, only to the extent of a few tables and chairs, was not a thing she could so much as try to grasp. Of a different way of loving him she was herself ready to give an instance, an instance of which the beauty indeed would not be generally known. It would not perhaps if revealed be generally understood, inasmuch as the effect of the particular pressure she proposed to exercise would be, should success attend it, to keep him tied to an affection that had died a sudden and violent death. Even in the ardor of her meditation Fleda remained in sight of the truth that it would be an odd result of her magnanimity to prevent her friend's shaking off a woman he disliked. If he didn't dislike Mona, what was the matter with him? And if he did, Fleda asked, what was the matter with her own silly self? "A great mistake! That's all right." He spoke—it wasn't clear to her why—as if this declaration were a great point gained. In the full face of what she was keeping back such a hope could only make her wince; but she was prompt with her explanations in proportion as she felt they failed to meet him. The smutty maid came in with tea-things, and Fleda, moving several objects, eagerly accepted the diversion of arranging a place for them on one of the tables. "I've been trying to break your mother down because it has seemed there may be some chance of it. That's why I've let you go on expecting it. She's too proud to veer round all at once, but I think I speak correctly in saying that I've made an impression."